This paper mainly studies the openness, diversity and irregularity of the “laws” in graphic design, that is, the basic laws, and the “unable”, that is, the ways and means of obtaining creative ideas. The establishment of design concepts, the search for artistic contradictions and artistic conflicts, the choice of artistic language, and the artistic expression of layout design are explained by the method of examples. Frames and constraints, seek the highest realm of creative inspiration through the "unable", that is, the artistic perception obtained after concentrating on the study of graphic design.
The conclusion is that the research and study of the basic Photo Manipulation Services laws of graphic design is a kind of technical cognition and mastery of skills. The way for designers to control the uncertainty and contingency of design inspiration is their own thoughts, emotions, design concepts, design language, etc. The endless experience and accumulation of aspects is a kind of stressful accumulation of conditions, the basis for the generation and explosion of inspiration, and the source of continuous innovation in design. Graphic design requires the integration of basic laws and logic with perfect creativity.
Designers also need to control the "laws" and "impossible" of design through the accumulation of technical knowledge and skills and the accumulation of stressful conditions. graphic design; design law; law; impossible 1. Questions In graphic design, there is an unavoidable question "what is the method of graphic design", and different scholars will have different opinions on this. According to the dialectical understanding of materialism, this question can be explained from two aspects of contradiction: There is a law" and "no way".